Please use this identifier to cite or link to this item: http://irepo.futminna.edu.ng:8080/jspui/handle/123456789/31224
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dc.contributor.authorMu’azu, M. S.-
dc.contributor.authorAlfa, A. S-
dc.date.accessioned2026-05-17T11:20:49Z-
dc.date.available2026-05-17T11:20:49Z-
dc.date.issued2009-
dc.identifier.citationMu’azu Mohammed Sani & Alfa Ahmadu Sule, (2009). Exploring Artistic Islamic Calligraphy to Create Effects in Painting. Mukabala, Journal of Performing Arts and Culture, ISSN 1596-8998, Vol 2, Page 166-194. Ahmadu Bello University, Zaria, Kaduna State-Nigeria.en_US
dc.identifier.urihttp://irepo.futminna.edu.ng:8080/jspui/handle/123456789/31224-
dc.description.abstractMany artists have created paintings, some in graphic art, textiles and mural on the wall using Islamic (Arabic) calligraphy, mostly two: dimensional representations. Others have even used Arabic calligraphy to create human forms, animal forms and mostly in monochrome Rarely have artists infused Arabic calligraphy and human forms to create effect in modern painting. This paper therefore, discusses the method of infusing Islamic calligraphy and human forms to achieve beauty and depth with calligraphy, by the use of brush strokes with colours through experimentation. It has also discussed on how it can create visual three dimensional effects that can blend with other modern paintings through experimentation.en_US
dc.language.isoenen_US
dc.publisherAhmadu Bello University, Zaria, Kaduna State-Nigeria.en_US
dc.subjectAllo: local slate made from wood used in the traditional Islamic school. Almajiri: students under tutorage of traditional Islamic teacher.en_US
dc.titleExploring Artistic Islamic Calligraphy to Create Effects in Painting. Mukabala, Journal of Performing Arts and Cultureen_US
dc.typeArticleen_US
Appears in Collections:Architecture

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